Non-Disclaimer & Credits

All artwork presented are solely for educational and reference purposes to expose diverse audiences to fine art through the lens and aesthetic of Black artists throughout the global African Diaspora.

Tahathinks, does not represent any of the artists presented. None of the images are available for sale, reproduction or distribution through this site because this is not a brick and mortar or online gallery.

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This constitutes ‘fair use’ of any such copyrighted material as provided for in section 107 of the US Copyright Law. In accordance with Title 17 US.C Section 107, the material on this site is distributed. If you wish to use copyrighted material from this site for purposes of your own that go beyond ‘fair use’ you must obtain permission from the copyright owner. All copyright for the sale, reproduction and distribution of fine art belongs to the artist.

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Defining Significance header and buttons – Portrait of Halima Taha photo by Sean Cokes seancokes.com

About Halima Taha – Photo of Halima Taha by Bert Bevans (with sculpture by Tchabala Self)

Art – What is important? – Aida Muluneh, Captive Conscience: Part 2 2017

Social Justice And Art – Installation view of Terry Adkins: Resounding

Creating and Preserving Your Collection -Sam Gilliam, Blue 96″ Disc 2020

On Collecting – Norman Lewis, Untitled 1966

Service Menu Button – Ismail Zaidy, Title Unknown

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Speaking Info Page – CKK Jordanki Concert Hall 2015

For Whom Info Page – Johnson Publishing Collection at the Stoney Island Arts Bank, Chicago, Illinois, 2015. Credit: Theaster Gates